Tag Archives: lorrie moore

A GATE AT THE STAIRS

When I was working on the Montreal Gazette piece about my dinner with Belgian chef Clement Petitjean, I struggled to find ways to carefully articulate the particular joys of dining alone.

Two months later, I found the perfect passage, seemingly yanked from my brain, from Lorrie Moore’s latest, A Gate at the Stairs. I’ve been a big fan since I breathlessly read Like Life in high school, admiring especially the way she likes to linger over language and words. So it was no surprise to discover that she can write about the particularities of food and the ritual of eating with incredible skill, clarity, and humor:

I had never eaten such intricately prepared food before, and doing so in this kind of mournful, prayerful solitude, in a public place, where by this time no one but I was seated without a companion, made each bite sing and roar in my mouth. Still, it was an odd experience for me to have the palate so cared for and the spirit so untouched. It was a condition of prayerless worship. Endless communion. Gospel-less church.

As if a compote were a chauffeur, every dish seemed richly to have one. I ordered the homemade asparagus ravioli—ravioluses!—with thyme and asparagus and chopped herbs, a vegetable tag-teaming itself. Gradually, I felt I had started to ascend into some kind of low-level paradise. It was astonishing to eat food that tasted like this. Was there ever a time on the planet before now when people had eaten this well? Surely people were eating in a way that evolution had no preparation or reason for. It was a miracle, gratuitous, dizzying and lovely. A “celeriac puree” could no doubt mend all cracks, remove all stains, but what was a “torchon”? A “ganache”? A “soffrito”? A “rillette”? Even the tenderly braised escarole offered up a phrase in a seemingly new tongue, familiar words reshaped in the high-scoring points and busy luck of Scrabble or Dutch.

Perfect. I wanted to transcribe the entire four-page passage that documents this remarkable meal — the entire book, and this passage particularly, is really special.

AM IN LOVE WITH THE HOOK UPON WHICH EVERYONE HANGS

Sometimes above all else, I value vivid color in my food. The other night I fried farmer’s market banana fingerlings in butter, smoked paprika and with a handful of roasted beets. The potatoes turned a lovely deep blush fuschia color. The next day, when I cubed the leftover fingerlings for a simple potato/beet hash, I saw that their creamy white insides formed an insane gradient. Ombre potatoes!!!

Three-day old (!) escarole salad still crisp, cold and bitter the next day, with thinly sliced Belgian white endives, roasted walnuts and a mustard-lemon vinaigrette.

Leftover broiled salmon, marinated in cumin, olive oil, lime zest and cilantro.

Any excuse to make guacamole. Salmon and avocado is one of the most blissful combinations ever. Fat, with more fat. Creamy, on top of creamy. Somehow you’ve convinced yourself that it’s all so healthy, too. PS I bought a bag of 9 avocados at the farmer’s market for $2. WHAT! I love so much being back in California.

I sat down to eat lunch inside but right away I saw how beautiful it was outside and fled to the deck.

Ahhh, that’s better. If you could pan out on this shot you would see Joni sprawled on the patio table eyeing my salmon with desire. Reread ‘Self-Help’ for the twentieth time under the clear gaze of the chilly February sun and tried to convince myself that it’s not extravangant and/or pathetic to cook elaborate meals just for yourself.

“KEEPING YOUR FINGERS CROSSED MAKES IT DIFFICULT TO HOLD A PEN, BUT I MUST SAY, IT’S WORTH IT.” -Lorrie Moore